Yesterday, the game developers community talked about GAME_JAM, a failed reality TV show about game jams. It fell apart for a variety of reasons, all better explained by the links in this article. This blog describes my part of the story, a minor part as I perceived it from the periphery, and includes some important advice on how to deal with contracts as an independent developer later on.

As any terrible legal story starts, this one starts not much longer than a week ago.

It’s the third day of  the Game Developers Conference, almost two weeks ago when I’m posting this. A bunch of independent developers are sitting in a local restaurant having a meal, and one of them is mentioning a contract that they’re unsure about. The contract is for something called GAME_JAM. I had been told about the idea: a Polaris-run reality show about game jams, an exciting venture for everybody involved. Not only will it help demystify development a bit more, it will expose the massive audiences of Polaris to an important part of game dev culture. It’s an exciting idea, and like Amnesia Fortnight or Super Game Jam, GAME_JAM has tremendous potential to do good for our scene.

GAME_JAM is being organized by a group of well-liked people in and around the independent game development community — curators, friends and business partners  and the premise is great. Involved in GAME_JAM as participants are my friends Zoë Quinn (Depression Quest), Robin Arnott (Antichamber, Soundself), Davey Wreden (The Stanley Parable) and my partner, Adriel Wallick (Game A Week, Rock Band Blitz), so I offer to read the contract for them.

I am not a lawyer. Never claimed to be, never wanted to be either. I am a game developer that has assisted independent developers with hundreds of contracts and negotiations, and I try to advise developers that are less versed in legalese.

Like everything in the indie scene, some people know more about certain subjects than others and we try and share and broadcast that knowledge as much as we can. A lot of the more business-savvy developers help out with reading contracts. I just happened to know everybody involved in this story, so they came to me. As you read more legalese, and deal with more companies of varying sizes, you start to recognize certain patterns, phrases and tones in contracts.

In the restaurant, five minutes of my life are spent in disbelief: the contract is awful. The most striking points in the contract include:

  • Exclusivity: participants were not allowed to appear on similar shows or syndicated YouTube networks for the full duration of the main broadcast time frame for GAME_JAM.
  • Waiver of privacy: participants had to agree to waive all rights to privacy in any area that is not the bedroom or bathroom. This includes the ability to use hidden microphones and cameras in any area of the production, including “co-ed living quarters”.
  • Right to misrepresentation: GAME_JAM held the right to, in all and any way, misrepresent the developers, their actions and intent for dramatic effect. This wasn’t limited to exaggeration or fabricating stories.
  • Obligation to travel: participants are obliged to travel to the event, and to any other promotional activity or show GAME_JAM required of them. Flight expenses would be paid for only if the participant was more than 200 miles away.
  • Marketing: participants would be required to participate in branded activities, including but not limited to ‘drinking Mountain Dew’. On top of that, participants would be required to advertise the show as requested by GAME_JAM, and would not be allowed to speak ill of the jam, its sponsors or its organizers.

It’s baffling to read that the full budget for GAME_JAM was apparently over $400,000 considering the fact that there is a clause in the contract that asks developers to risk having to pay for their own flights if they’re close to a location they’re required to visit.

The full benefits for the developers in exchange for signing this do not exceed $300 each (three hundred dollars, that is not a typo), lodging and return flights. The participants weren’t in GAME_JAM for the money or fame, they were in it because they genuinely believed they could show the world this little part of game development culture in an honest and diverse way, and they were willing to try that even if that meant they had to drink Mountain Dew.

The majority of the other clauses were simply deal-breakers: A lot of the developers can’t afford travel under 200 miles, the marketing of most of these indies depends in some part on YouTube and the participants were mostly up and coming developers with a reputation to think about. Allowing GAME_JAM to misrepresent their actions and words could have terrible results for their future careers.

There was a certain tone in the contract that tells you that whoever agreed to send this contract to the developers is completely oblivious to game jams and lacks any respect towards the participant. It also tells you that the organizers did not expect GAME_JAM to yield enough “drama”, and that they felt the need to be able to inject drama into it.


What I was worried for happened: even though the contract was much better  it revoked the misrepresentation clause and specified the exclusivity much more in the developers favor it was still quite terrible.

I recommended once more not to sign until all terms were acceptable, and I couldn’t emphasize that enough. The potential circumstance of being on-set, with large production crews and your fellow developers waiting for you to being the only one not to sign was always-present, but that doesn’t matter in legal cases: if you put your name on the dots, that’s your responsibility, and you deal with the consequences.

As the first line of Zoë’s completely unrelated article imply, she did cave under that pressure and the slightly better terms. These are not simple emotional forces to deal with, and knowing there’s a huge production team literally depending on you signing is paralyzing. The other developers I advised stood ground, and refused to sign regardless of the potential negative effects on the series.

Either way, GAME_JAM didn’t go well. Between making a total farce out of game jams, it was misogynistic, misinformed and disrespectful. There are a few times when I’d rather have my gut feeling be dead wrong about something, but this was one of them. I received three tweets from the participants containing the hashtag #ramiwasright.

But I can’t be more proud of Robin, Davey, Zoë, Adriel and the other developers for walking away from GAME_JAM. The most expensive game jam in the history of mankind fell apart within a day, and the reason people were able to walk away relatively unscathed was because they had strong principles, they stuck together, and those that didn’t sign were able to do that walked away without risk of legal repercussion from the contract.

Contracts are serious business, and they can be both good and bad. I like to think of them as a way to keep people from arguing over dumb things. Here are some general pointers for contracts:

  • Get a lawyer if there is any option. It’s possible to find lawyers that’ll work for free or a revenue share. In pretty much all cases, having a real lawyer can save you from being tricked by strange wording tricks, misunderstandings and misinformation.
  • Only trust bad gut feelings. When it comes to contracts, trust your gut feeling only when it’s warning you. Don’t sign a contract because your gut instinct tells you it’s OK: always check with people that are capable of verifying a contract, preferably an actual lawyer. If you feel bad about a contract, do not sign, figure out why, and negotiate those terms.
  • Contracts are negotiable. When you receive a contract, it’ll typically be written to be as positive for the sender as possible. It is always possible to renegotiate terms that make you uncomfortable or problematic. When you negotiate, point out the specific clauses that are problematic, point out why they are problematic, and suggest dropping the clause, adding to it, rewording it, or making it more specific.
  • Anything between the lines isn’t there. If there is no end date to a contract, there is no end date. If the contract states “all and any”, it means “all and any.” If the contract says you will be obliged to participate in “branding activities” for “Mountain Dew or affiliated companies”, you are literally signing a contract that could force you to go skydiving with a PepsiCo parachute.
  • Define as much as possible. What is a branding activity? What are the affiliated companies? How long will you be required to participate in these “activities”? Will you still be required to do these after recording the original show? Ask every possible question and have the contract redrafted until you can’t be forced to do anything that you’re uncomfortable with.
  • Nobody really understands legalese. We’re talking about words written by someone with an education of nearly a decade with some of the most stringent entry bars of any possible career. If any wording is unclear, ask it to be reworded as something that does make sense to you. It’s OK to ask for clarification on legal jargon you don’t understand, it’s not OK to sign something you don’t fully understand.
  • You only have obligations after signing. There is no time frame and no maximum number of revisions. If the other party complains you’re taking too long or the deal needs to hurry up, remind them that you are under no obligation to sign quickly. You never have to sign now. You’re allowed to request to take the contract home or to run it by legal advisers. Signing binds you to the rules of the contract, not them  of course they are in a hurry.
  • You can walk away. Not signing and missing out is better than signing something bad and being part of it without recourse.

GAME_JAM is over, and it’s an important lesson to all of us. Developers tend to be friends and we want to see each other succeed. We want new people to join the medium, we want to educate and share knowledge. The reality is that outside of our scene, that’s not always the case. I’m so glad everybody got out OK. Huge shout out to the developers involved and to Jared Rosen, who broke the story on IndieStatik risking his own job. My apologies to those involved in the (great) original concept, who saw the production slowly corrupted by external forces.

Contracts are useful, but they can be extremely dangerous. Handle them with care, and if you’re not completely sure what you’re signing, get help.

For now, I can recommend Super Game Jam as a good insight into the reality of game development and game jams. Don’t forget, the original idea of GAME_JAM was great.

Let’s go and demystify game development.

Rami Ismail is the developer and business guy at Vlambeer. He also created Presskit() and travels the world speaking about game development and culture. This article was republished with his permission from his blog.

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